Dual Wielding Pens

I’m actually writing two pieces concurrently at the moment. They are not related, and they don’t overlap thematically except in broad terms and themes; as noted previously, it’s hard for me to write a strictly happy story. The mystery of why remains such, and I’m not going to investigate it too much. So how does writing two things at once help me keep my drive?

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Get Writing: 2018

                I have not been the most prolific writer, since finish the first draft of my second book. In fact, I took a month off – mainly. Mostly. I took feedback and decided on edits I’d need to make, wrote a little bit of another project and typed up a short story that was previously only recorded on scraps of dog-eared paper held together by a broken staple and hope. But mostly, I didn’t write.

Getting Emotional.

I am proof reading for a friend, which is fun and educational as she’s writing a Young Adult fiction piece and because she’s a woman, so brings a different outlook. The Young Adult fiction part is something I’m slowly adapting to in my feedback – the awkward boy-girl relationships, the idea of friendship being very important juxtaposed to the protagonist not having any friends/being popular, and several other facets that I would not include in my current manuscript because we have different target audiences. This is, importantly, not to say that young adults cannot enjoy non-YA fiction, nor that adults can’t enjoy young adult fiction. All it means is that the story is directed specifically at one of those groups, and as with any form of entertainment fiction must be tailored for its intended audience.

Killing Isn’t Heroic

I’m hoping my sequel’s prologue as gripping as the first book’s, as I’ve just rounded that off this morning, although topping my last one for shock factor is difficult in today’s world. This is mostly due to the devaluing of murder that happens in Western media and fiction, so that’s less of a powerful option than what I did in the first book.

Dusting Off the Blog

A very long time has passed since the last post here, and not because there’s not been anything to write about! I’ve spent two weeks in the Philippines, done a lot of gaming after getting very much into Guildball and I published my first book! What excitement! After six weeks on the market I’ve had ten sales and made about £15, which works out as about £10 a month. I’ve done minimal advertising so I’m not too upset, and I also haven’t quit my day job, so this isn’t tragedy – on the contrary, I’m really frelling chuffed about it! It’s got me keen to write the sequel, especially as a few of my customers (read: friends) are asking about it frequently.

Desperate Scrawlings – A Crack in the Moon

Midnight in Hyde Park. The hour for couples to wander aimlessly, whispering sweet nothings while clutching hands beneath the sparsely placed street lights, or predators to prowl around the fringes waiting for an unsuspecting victim – but not tonight. I stood, crushed shoulder to shoulder among a crowd of hundreds, thousands. There were no fights, no arguments, no movement. We stood there, locked in place not just by each other but by the sight we had come to behold. We were one of hundreds of other groups that had gathered across the world. Tonight, six billion people from all across the world turned their gazes upward. Not towards the heavens, not towards the stars; we stared at the moon, and the crack spreading silently across its pale, eerie surface.

Get Writing – An Action Packed Addition!

I’ve now finished my first novel! And by ‘finished’ I mean I wrote the end and most of the story has been drafted out. I think I have 10% more to do, corridor and elevator scenes for the most part, to match everything up and then I’m ready to submit it to places! How very, very exciting!

Amongst all the excitement that’s brought on I have to say my grand finale, the great and climatic action sequence that brought everything to an end in an exciting crescendo of violence, action and heart pounding excitement, was actually pretty difficult to write. And that’s because it involved violence, that key part of most films and books people think is easy to write, easy to make exciting because it’s something that gets the pulse pounding – indeed, our pulses were designed to pound when we needed to do something violent. So why was it so difficult?