Dual Wielding Pens

I’m actually writing two pieces concurrently at the moment. They are not related, and they don’t overlap thematically except in broad terms and themes; as noted previously, it’s hard for me to write a strictly happy story. The mystery of why remains such, and I’m not going to investigate it too much. So how does writing two things at once help me keep my drive?

What’s your process?

To write an answer to this question, I began in the same way I do before starting most ventures; slumping in my chair, looking at my desk in an unfocused, slightly sightless fashion and breathing slow enough that I could well be hibernating. At least, that’s the physical manifestation of me being deep in thought. Not a compelling image, and certainly not sculpture worthy beyond the real of satire. I’ve been told I look faintly depressed, but this is not the case. The cogs are whirring, and rarely have any dust to shed before they work properly now that I’m doing this writing schtick full time.

Get Writing: 2018

                I have not been the most prolific writer, since finish the first draft of my second book. In fact, I took a month off – mainly. Mostly. I took feedback and decided on edits I’d need to make, wrote a little bit of another project and typed up a short story that was previously only recorded on scraps of dog-eared paper held together by a broken staple and hope. But mostly, I didn’t write.

Getting Emotional.

I am proof reading for a friend, which is fun and educational as she’s writing a Young Adult fiction piece and because she’s a woman, so brings a different outlook. The Young Adult fiction part is something I’m slowly adapting to in my feedback – the awkward boy-girl relationships, the idea of friendship being very important juxtaposed to the protagonist not having any friends/being popular, and several other facets that I would not include in my current manuscript because we have different target audiences. This is, importantly, not to say that young adults cannot enjoy non-YA fiction, nor that adults can’t enjoy young adult fiction. All it means is that the story is directed specifically at one of those groups, and as with any form of entertainment fiction must be tailored for its intended audience.